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A scene from the 2015 Bach Week Festival's opening concert.
Photo copyright 2015 by Elliot Mandel. |
Guest choir Bella Voce to perform in two cantatas
Well-known works will include ‘The Musical Offering,’
‘Art of
Fugue,' and selections from ‘The Well-Tempered Clavier’
WFMT radio’s Carl Grapentine to present pre-concert talks in
Evanston
The 43nd annual edition of the Chicago area’s
Bach Week Festival will welcome first-time guest choir Bella Voce, an acclaimed Chicago vocal
ensemble, when the spring festival celebrating the rich variety of J.S. Bach’s music opens April 22
at Nichols Concert Hall in Evanston.
Festival concerts will also take place on April 24 at Nichols Hall and
May 6 at Anderson Chapel at North Park University on Chicago’s North Side. The
festival is a collaboration between Bach Week and North Park’s School of
Music.
An intimate, late-evening Candlelight Concert in Evanston on April 22
will offer music for recorder and viola da gamba.
Bach Week music director and conductor Richard Webster says concertgoers
can expect some festival firsts, including Bach’s Cantata BWV 66 and a piano performance of
selections from Bach’s “The Well-Tempered Clavier,” a work heard only once before at the festival, in
the 1990s, on harpsichord. In fact, this will be just the second solo piano performance in Bach Week
history.
“This year’s typically varied program will have variations in abundance,”
Webster adds, pointing to a pair of well-known Bach works, “The Musical Offering” and the “Art of
Fugue,” each comprising multiple compositions based on a single melodic idea.
Webster, who performed in and helped organize Evanston’s inaugural Bach
Week Festival in 1974, has been music director since 1975.
Evanston Concerts April 22 & 24
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Bella Voce makes its Bach Week debut
on April 22 |
The festival gets underway at 7:30 p.m. on Friday, April 22, at Nichols
Concert Hall, 1490 Chicago Ave.,Evanston. The program, conducted by Webster, will include Bach’s Concerto
in A Minor, BWV 1041, forviolin and orchestra, featuring violinist Desirée Ruhstrat of the Lincoln
Trio. Guest choir Bella Voce will join the Bach Week Festival Chorus, Orchestra, and guest soloists for Bach’s
cantatas “Gottes Zeit ist dieallerbeste Zeit" (God’s time is the best of times), BWV 106; and “Erfreut
euch, ihr Herzen” (Rejoice, you hearts), BWV 66. Soloists will be Nina Heebink, mezzo-soprano; Klaus Georg,
tenor, making his Bach Week debut; and David Govertsen, bass.
WFMT radio's morning host Carl Grapentine will present a pre-concert talk at
6:30 p.m.
At 10 p.m., following the season-opener concert, recorder player Lisette
Kielson and violist da gamba Phillip Serna from the group
L’Ensemble Portique
will perform a Candlelight Concert titled “Canons, Imitation, and Flights of
Fancy” in the Nichols Hall lobby. The viola da gamba is a cello-sized Baroque
string instrument. Guests can partake of complimentary champagne and fine
chocolates.
The program will encompass works from the late Middle Ages,
Renaissance, Baroque, and 20th century. The earliest composer, known today by a
single name, Piero, was active in the mid-1300s. Others represented on the program are 16th-century Renaissance figures Pierre
Certon, Thomas Morley, and Georg Forster; and Baroque composers George Frideric Handel and Marin Marais; and
contemporary composers Frederic Palmer and Laurie G. Alberts.
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Pianist Matthew Hagle will play works
by Bach and Busoni. |
At 7:30 p.m. on Sunday, April 24, at Nichols Hall, piano will take center
stage when Matthew Hagle performs Bach’s Preludes and Fugues in C Minor and
A-flat Major from “Das Wohltemperierte Klavier” (The Well-Tempered Clavier), Book II. Hagel will also give the Bach Week
premiere of turn-of-the-century Italian composer Ferruccio Busoni’s piano edition of Bach’s Chaconne in D Minor,
BWV 1004.
The Sunday concert will see Webster conducting Bach’s cantata “Tritt
auf die Glaubensbahn” (Step upon the path of faith), BWV 152, with the Bach Week
Festival Orchestra, soprano Chelsea Morris, and bass-baritone David Govertsen;
and Bach’s “Das musikalische Opfer” (The Musical Offering), BWV 1079, consisting
of 13 pieces, including a trio sonata featuring flute, all based on a musical
theme given to Bach by the King of Prussia.
WFMT’s Grapentine will give a pre-concert talk at 6:30 p.m.
Chicago Concert May 6
The festival will head to Chicago on Friday, May 6, for a 7:30 p.m.
season-finale concert at North Park University’s Anderson Chapel, 5149 N.
Spaulding Ave.
The program will offer Bach’s "Die Kunst der Fuge" (The Art of Fugue), BWV
1080, in a surround-sound experience with instrumentalists placed in different
locations around the hall.
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Julia Davids conducts the North Park
University Chamber Singers | |
| |
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Soprano Rosalind Lee, tenor William Watson, and bass Will Liverman will
join the Bach Week Festival Chorus and Orchestra and North Park University
Chamber Singers for the cantata “Ich hatte viel Bekümmernis” (I had much
trouble), BWV 21, conducted by
Julia Davids, associate professor of music and
director of choral activities at North Park University School of Music.
Tickets and Information
Single tickets for each of the festival’s three main concerts are $30
for adults, $20 for seniors, and $10 for students with ID. All tickets for the
April 22 Candlelight Concert are $20. Festival subscriptions for the three main
concerts are $80 for adults, $50 for seniors, and $20 for students. Tickets are
available at
bachweek.org or by calling
800-838-3006.
Bach Week is one of the Midwest’s premiere Baroque music festivals. The
event enlists musicians from the Chicago Symphony Orchestra, Lyric Opera of
Chicago Orchestra, and other top-tier ensembles on the same stage, while
featuring some of the Chicago area’s finest instrumental and vocal soloists and
distinguished guest artists from out of town.
The 2016 Bach Week Festival is partially supported by the Richard H.
Driehaus and Elizabeth F. Cheney foundations. The debut collaboration with Bella
Voce is sponsored by
Advent Press.
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